Selected Writing

• “A Sobering Photograph Captures Detained Migrants’ Cry for Help” Hyperallergic

• “Trump Whitewashes History in New Smithsonian Executive Order” Hyperallergic

• “Hundreds of Museum and Library Grants Terminated Overnight” Hyperallergic

• “Trump Officials Take Down Memorial to Gun Violence Victims” Hyperallergic

• “Organizations Lose Pivotal Grants as DOGE Takes Axe to Humanities Agency” Hyperallergic

• “Union Decries Expected Layoffs at Brooklyn Museum” Hyperallergic

• “The Contentious History of a Lost Cave House in Mexico City” Hyperallergic

• “Legal Precedents or Reparations? Lawsuit Against Harvard May Decide Who Owns Images of Enslaved People” Hyperallergic

• “Things Not Seen” Hyperallergic and Jewish Currents

• “It Looks Like a Bomb Exploded”: LA Artists Grapple With Loss as Fires Rage” Hyperallergic

• “Latinx Artists Finally Get New York Recognition” The Financial Times

• “Art Basel Miami Beach Returns With Smoke and Mirrors” Hyperallergic

• “Sketching the Ubiquitous Face of Luigi Mangione” Hyperallergic

• “We Are All Puerto Rican” Hyperallergic

• “Does Carbon Offsetting Really Address the NFT Ecological Dilemma?” Hyperallergic

• “Noguchi Museum Terminates Three Workers for Wearing Keffiyehs” Hyperallergic

• “Who’s Left Out of the Frame in the Viral Trump Shooting Photo?” Hyperallergic

• “Artists “Stunned” After Museum Nixes Reimagined Michael Fried Show” Hyperallergic

• “Why Is There No Spanish at Art Basel Miami?” Hyperallergic

• “Colombian Government Exploited Doris Salcedo’s Art to Denounce Nationwide Protests” Hyperallergic

• “How Latinx Artists Were Shut Out Of Art History” Hyperallergic

• “They Managed to Mess Up an Art Heist Movie” Hyperallergic

• “We Are All Puerto Rican” Hyperallergic

• “Marta Minujín Looks Ugliness Right in the Face” Hyperallergic

• “María Magdalena Campos-Pons Leads a Procession of Hope” Hyperallergic

• “The Chilling Revelations of the Sackler Family Group Chats” Hyperallergic

• “Listening to the Joy in James Baldwin’s Record Collection” Hyperallergic

• “El Museo’s Triennial Defies Stereotypes Mapped Onto Latinx Art” Hyperallergic

• “An Art Exhibition That Makes Rejection Look Good” Hyperallergic

• “Hundreds of Arts and Restaurant Workers Rally to Save Historic Chinatown Banquet Hall” Hyperallergic

• “Artists ‘Stunned’ After Museum Nixes Reimagined Michael Fried Show” Hyperallergic

• “Six Art-World Cool Kids Take Over Abandoned High School in Upstate NY” Hyperallergic

• “While 11% of Staff Was Laid Off, Guggenheim Director Made Record $1.5 Million” Hyperallergic

• “MoMA Terminates All Museum Educator Contracts” Hyperallergic

• “Activists Say They Were Followed by Sackler-Hired Investigators” Hyperallergic

• “Conjuring a Revolutionary Icon in Art” Hyperallergic

• “An Argentine Collective of Political Art, Re-examined” Hyperallergic

• “Amid Historic Black Lives Matter Protests, Museum’s Call for ‘Nonpartisan Approach’ Disappoints” Hyperallergic

• “Immersing Myself in Helen Escobedo’s ‘Total Environments’” Hyperallergic

• “Rosana Paulino Threads Through Painful Histories” Hyperallergic

• “Elaine Cameron-Weir: strings that show the wind” Brooklyn Rail

• “Simone Fattal: Works and Days” Brooklyn Rail

• “Rachelle Dang: Uncertain Haven” Brooklyn Rail

• “Brooklyn Museum Employees Accuse Administration of Staff Mistreatment” Hyperallergic

• “Keith Haring’s Iconic East Harlem Mural, ‘Crack Is Wack,’ Is Back” Hyperallergic