Selected Editing
This is just a small selection of the stories I’m most proud of working on, with writers who inspire me and help make me a better editor.
Erin Thompson, “A New York Museum’s House of Bones” Hyperallergic
Luana Fortes, “Is a Brazilian Art School Actually a Cult?” Hyperallergic
Violeta Horcasitas, “The Unforgivable Whitewashing of Mexico City’s Food Stalls” Hyperallergic
Sarah Bond, “Discovery of 8,600-Year-Old Bread Gives Rise to Half-Baked Claims” Hyperallergic
Maya Pontone, “Displaced by War, Sudanese Artists Fight to Keep Making Work” Hyperallergic
Yelena Ambartsumian, “When Copyright Transforms the Right to Remember” Hyperallergic
Patricia Encarnación, "When Representation Alone Isn’t Enough" Hyperallergic
Matt Stromberg, “Art Galleries Are Not Reviving a ‘Desolate’ LA Neighborhood” Hyperallergic
Emiline Smith, “The Ongoing Looting of Sri Lanka’s Cultural Heritage” Hyperallergic
Rhea Nayyar, “Azerbaijan’s Destruction of Armenian Heritage in Artsakh Continues Unabated” Hyperallergic
Sage Behr, “The Brazilian Women Clowns Fighting Back Against Bolsonaro” Hyperallergic
Aaron Short, “What’s Really Luring New York City’s Galleries to Tribeca?” Hyperallergic
Isabelle Brourman, “Sketching the Johnny Depp v. Amber Heard Trial ” Hyperallergic
Jennifer Hattam, “Turkey’s Queer Art Community Walks a Thin Line” Hyperallergic