Selected Editing

This is just a small selection of stories I’m proud to have worked on, with writers who inspire me and help make me a better editor.

• Erin Thompson, “A New York Museum’s House of Bones” Hyperallergic

• La Tanya S. Autry, “What Does It Mean to Exhibit the Gun That Killed Emmett Till?”

• Luana Fortes, “Is a Brazilian Art School Actually a Cult?” Hyperallergic

• Matt Stromberg, “Art Galleries Are Not Reviving a ‘Desolate’ LA Neighborhood” Hyperallergic

• Violeta Horcasitas, “The Unforgivable Whitewashing of Mexico City’s Food Stalls” Hyperallergic

• Sarah Bond, “Discovery of 8,600-Year-Old Bread Gives Rise to Half-Baked Claims” Hyperallergic

• Isa Farfan, “DACA-Recipient Artists Share Their Stories as Program Hangs by a Thread” Hyperallergic

• Yelena Ambartsumian, “When Copyright Transforms the Right to Remember” Hyperallergic

• Laurie Gwen Shapiro, “The True Story of a Rare Eva Hesse Painting Found at a Goodwill Auction” Hyperallergic

• Patricia Encarnación, "When Representation Alone Isn’t Enough" Hyperallergic

• Emiline Smith, “The Ongoing Looting of Sri Lanka’s Cultural Heritage” Hyperallergic

• Rhea Nayyar, “Azerbaijan’s Destruction of Armenian Heritage in Artsakh Continues Unabated” Hyperallergic

• Sage Behr, “The Brazilian Women Clowns Fighting Back Against Bolsonaro” Hyperallergic

• Aaron Short, “What’s Really Luring New York City’s Galleries to Tribeca?” Hyperallergic

• Isabelle Brourman, “Sketching the Johnny Depp v. Amber Heard Trial ” Hyperallergic

• Jennifer Hattam, “Turkey’s Queer Art Community Walks a Thin Line” Hyperallergic